Hollywood rages to the madness of the new Trump “ catastrophic '' prices on the films made abroad

Once the film industry has continued to fight, President Trump threatens 100% prices on the films made outside the United States, in a movement of Hollywood leaders call “madness”.

Already in shock from the devastation of recent forest fires, Hollywood is now faced with a new threat from Donald Trump – a 100% tariff on the films made outside the States.

This decision will be a major blow for the British cinema industry, which was to help save American filmmakers as a result of fatal infernos. Hollywood leaders call the prices planned “madness”.

Trump announced the levy proposed on his social platform Truth, declaring foreign manufacturing films a “national security threat” and accusing other countries of using incentives funded by taxpayers to attract American cinematographic productions.

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“We want films made in America, once again!” Trump wrote. “It is, in addition to everything else, messaging and propaganda!”

This comes then that Hollywood has already struggled to rebuild after one of her worst natural disasters for decades, and the initiates of the industry say that this decision could be catastrophic.

“Between fires and now that is a punch at two years,” said a large studio who asked for anonymity.

“We have lost sound internships, sets and whole production hours for forest fires. And now, we are told that if we shoot abroad to stay on the budget, we will be punished? It is madness.”

Politics, which had no detail, will authorize the American trade department and the American commercial representative to start imposing punitive prices, in what Trump called an effort to rekindle a national film industry which, according to him, “dies a very rapid death”.

American cinematographic production has already decreased sharply and, according to a report by the Tracker of the Prodro industry, spending on production of American films dropped from 26% last year to 11 billion pounds sterling.

On the other hand, countries like the United Kingdom, Canada, Australia and New Zealand have increased production expenditure, supported by generous tax credits and robust infrastructure.

Trump blamed this change on a “concerted effort” of foreign governments to Saper Hollywood, while offering no evidence.

Its administration has not yet clarified whether the proposed prices would apply to American companies that run abroad, foreign films distributed in the United States or to streaming platforms like Netflix.

The secretary of commerce, Howard Lungick, offered little insight beyond a laconic declaration: “We are there.”

Film trade groups and international cultural agencies remained silent on Thursday when the industry was trying to assess the implications.

The cinematographic association, the British Film Institute and the British Department for Culture, the Media and Sport have all refused to comment. Meanwhile, Australia and New Zealand have vigorously defended their cinema sectors.

“Do not let anyone doubt our support for the Australian screen industry,” said the Minister of Internal Affairs in Australia, Tony Burke. New Zealand Prime Minister Christopher Luxon echoes this feeling, saying: “We will be a great defender of this sector and this industry.”

Complicating further, several upcoming superproductions of American studios – Deadpool & Wolverine, Wicked and Gladiator II – were all filmed abroad and could be taken in police fire.

Trump's commitment to rekindle the national cinema industry ring Hollow for many in Hollywood, in particular given the damage that its wider economic policies have already inflicted.

Since its return to functions in January, its Blitz price has disrupted trade relations in the world and has contributed to the implementation of global economic uncertainty.

Before its inauguration, Trump had appointed actors Jon Voight, Mel Gibson and Sylvester Stallone as “special envoys” responsible for revitalizing Hollywood.

But the initiates say that these meetings are no more than symbolic gestures because the industry is faced with tangible threats.

“Forest fires destroy our homes, and now the president wants to set fire to the rest of our economy,” said a union representative for cinema workers in Burbank. “It is difficult to imagine a worse moment to attack your own industry.”